Showing posts with label tourist places of india Tourist places of asia. Show all posts
Showing posts with label tourist places of india Tourist places of asia. Show all posts

Thursday, 12 October 2017

TOURIST PLACES OF KARNATAKA,HAMPI

Hampi:


Hampi , also referred to as the Group of Monuments at Hampi, is a UNESCO World Heritage Site located in east-central Karnataka, India.Located close to the Andhra Pradesh border and near the modern era city of Hosapete, Hampi was established as the capital of the Hindu Vijayanagara Empire in the 14th-century.Chronicles left by Persian and European travelers particularly the Portuguese state Hampi as a prosperous, wealthy and grand city near the Tungabhadra river with numerous temples, farms and trading markets. The Vijayanagara Empire was defeated by a coalition of Muslim Sultanates, its capital Hampi was conquered, pillaged and badly damaged by Sultanate armies in 1565, after which Hampi remained in ruins.

Hampi monuments are spread over 4,100 hectares and has been described by UNESCO as "austere, grandiose site" of more than 1,600 surviving remains of the last great Hindu kingdom in South India, that include "forts, riverside features, royal and sacred complexes, temples, shrines, pillared halls, mandapas, memorial structures, water structures and others". Hampi predates the Vijayanagara Empire, with evidence of Ashokan epigraphy and its mention in the Ramayana and the Puranas of Hinduism as Pampaa Devi Tirtha Kshetra. Hampi continues to be an important religious centre, housing the Virupaksha Temple, an active Adi Shankara-linked monastery, and various monuments belonging to the old city.


Hampi has quite a number of tourist attractions like Virupaksha Temple, Vithala Temple and Nandi Statue. It is best to visit Hampi during the three day long Hampi festival held around October-November every year. Read more about Hampi.


Jewel of hampi - Stone chariot

Every tourist place has that one spot which earns it galore and admiration. For Hampi, the small, dainty temple village set in Karnataka, it’s the iconic stone chariot. It’s the leading man in the army of exquisite beautiful sights that Hampi has to offer and depicts Karnataka tourism an icon itself. The chariot is actually .

      
Stone Chariot, Vittala Temple, Hampi, facts about Hampi
The Jewel of Hampi- The Stone Chariot


Every tourist place has that one spot which earns it galore and admiration. For Hampi, the small, dainty temple village set in Karnataka, it’s the iconic stone chariot. It’s the leading man in the army of exquisite beautiful sights that Hampi has to offer and depicts Karnataka tourism an icon itself.

Stone Chariot, Vittala Temple, Hampi, facts about Hampi
Stone Chariot at Vittala Temple, Hampi
The chariot is actually a shrine dedicated to Garuda, built inside the Vittala Temple Complex.  The massive sculpture of Garuda, Lord Vishnu’s escort once was seated atop the chariot but it is empty at the present date. The Hampi Chariot has earned its name among the other three famous stone chariots in India- One in Konark, Odissa, and the other in Mahabalipuram (Tamil Nadu).


The chariot was built by King Krishnadevaraya of the Vijayanagara Empire during the 16th century, who got fascinated with the Konark Sun temple chariot while fighting a battle in Odissa. The chariot is meant to represent the beauty and artistic perfection of the Empire. An interesting folklore emanates from the Hampi chariot as villagers believe that the world would come to a halt when the chariot moves from its place. It has come to have a sacrosanct presence and is internationally recognized as a world heritage site even by the UNESCO


Virupaksha Temple

Image result for virupaksha Temple imagesThe Virupaksha or the Pampapathi temple is the main center of pilgrimage at Hampi. It is fully intact, and it incorporates some earlier structures. This temple has three towers, the eastern tower rises to a height of 160 feet and is nine tiered. It dates back to the first half of the fifteenth century and was renovated in the sixteenth century by Krishnadevaraya. 

This tower has been built such that an inverted shadow of this huge tower falls on the western wall of the temple through a small hole behind the sanctum. The northern gopuram has five storeys, and the inner eastern gopuram is endowed with three storeys.

The presiding deity here is Virupaksheshwara or Pampapathi. His consort Pampa, is believed to be the daughter of Bhrama. There is an ornate shrine to Bhuvaneswari. There is a shrine to Vidyaranya, the spiritual founder of Vijayanagar in this temple. The inner prakaram consists of shrines and pillars dating back to the 12th century.

Krishnadevaraya also built a mandapam in front of the sanctum, and embellished it with Vijayanagar style bas reliefs and murals. Several of Shiva's manifestations, and the ten incarnations of Vishnu are portrayed here, as is the classic scene from Mahabharata depicting Arjuna's shooting the fish device in order to secure Draupadi's hand in marriage. There is also a mural depicting Vidyaranya the spiritual founder of Vijayanagar in procession.

Lotus Mahal Hampi/Chitrangini Maha/Kamal Mahal :

Lotus Mahal in Hampi – Of Grandeur and History
The style of it is a pleasant departure from the typical architecture you see in Hampi. The exact function of this is not surely known. Located inside the Zenana enclosure, most probably this was a socializing area for the women folks in the royal family. 

Also known as Chitrangani Mahal and Kamal Mahal, this falls under the secular or nonreligious categories of structures in Hampi. It’s peculiar to note that this is one of the beautiful structures that were left undamaged during the siege of the city. However there are some signs of mutilations on a few sculptures placed on the outer surface.

Unlike the other major structures in Hampi, this is made out of lime mortar and brick made composition.

The shape of the structure is what brought it the name. The archways and the balcony with the domed construction resemble a half opened lotus bud. Also is the lotus bud shape carved on to the center dome.

Basically this is a two storied structure with an open base floor the sidewalls are having tall arched windows. The upper floors have balconies with arched windows. Hook like structures are made on to the wall close to the windows to hang curtain. The arches of the ground floor are recessed and ornate. The decorations and architecture is a curious mix of Hindu and Islamic styles. Lotus Mahal's Islamic style arches and the Hindu style multiplayer roof and base structure are often quoted for the ingenuity of the Vijayanagara artisans.
The night illumination is a spectacular sight. Undoubtedly this is a very photogenic and one of the most photographed buildings at Hampi. There is a large lawn made around the Lotus Mahal.

Elephant Stable:

Indo-Islamic style structure used as the stables for the royal elephants of the Vijayanagara Empire

One of the most impressive sites in Hampi, The Elephant Stables is a wonderful structure that provided shelter to the royal elephants of the grand Vijayanagara Empire. The intricate design and emphasis on little details indicate the importance that was attached to the royal elephants of the empire. 

The elephant stables were built in the 15th century and are constructed in the Indo-Islamic style of architecture. The structure is an elongated building with domed chambers, which are large enough to accommodate two elephants at a time. There are eleven such domed chambers and these are interconnected with large arched openings.  

This elegantly symmetric structure is a magnet for large number of tourists who travel to Hampi. It is also one of the few structures, of the many other exquisite buildings of the area, which has suffered least destruction due to the ravages of the time.

The central dome is the largest and most closely designed with exquisite architecture. All the chambers have high ceilings and have a small opening at the rear from where the mahouts could enter and exit. Another interest is a central hook embedded in the ceiling of the central dome which was most probably used to hook the elephants and a hidden staircase, used to reach to roof of the building.

The building of Elephant Stables is located in the area that is situated just outside the Zenana Enclosure. It is nevertheless, a major attraction and wonderfully displays the level of craftsmanship that was reached during the contemporary times.

Krishna temple, market, Narasimha and linga:


Image result for hampi imagesThe Krishna temple, also called Balakrishna temple, is about a kilometer to the south of Virupaksha temple, on the other side of the Hemakuta hill. It is dated to 1515 CE, and this part of the Hampi complex is called Krishnapura in inscriptions. In front of the ruined temple is a long market street (also referred to locally as the bazaar). Between the colonnaded stone shop ruins is a broad road allowing chariots to bring and carry away goods to the market, as well as host ceremonial functions and festive celebrations. To the north of this road and middle of the market is a large Pushkarani or public utility stepped water tank with an artistic pavilion in its center. Next to the tank is a public hall (mandapa) for people to sit. 

Shiva linga and fierce Yoga-Narasimha monoliths carved in-situ. Narasimha is damaged, his pedestal has burn marks.
Image result for hampi imagesThe temple opens to the east, has a gateway with reliefs of all ten avatars of Vishnu starting with Matsya at the bottom. Inside is the ruined temple for Krishna, as well as small ruined shrines for goddesses.The temple compound is layered into mandapas, including an outer enclosure and an inner enclosure. The compound has two gopura entrances. Inside a 25 (5x5) bay open mandapa leads to a 9 (3x3) bay enclosed mandapa. The original image of Balakrishna (baby Krishna) in its sanctum is now in a Chennai Museum. A modern road passes in front of the east side gopura, linking 
Kamalapuram to Hampi. The west side gopura has friezes of battle formation and soldiers.

South of the Krishna temple outside are two shrines immediately next to each other, one containing the largest monolithic Shiva Linga and the other with the largest monolithic Yoga-Narasimha avatar of Vishnu in Hampi. The 3 metres (9.8 ft) Shiva Linga stands in water in cubical chamber, has three eyes sketched on its top. South of it is the shrine for a 6.7 metres (22 ft) high Narasimha – the man-lion avatar of Vishnu, seated in a yoga position. The Narasimha monolith originally had goddess Lakshmi with him, but it shows signs of extensive damage and attempts to burn the shrine down because the floor is stained with carbon. The statue has been cleaned and parts of the shrine has been restored.

Sasivekalu Ganapa:

Image result for sasivekalu ganesha hampiThis temple is an open pavilion with a statue of the Hindu god Ganesha carved from a single rock.

The specialty of this temple is the huge monolithic statue of Lord Ganesha which was built by a rich trader of chandragiri, which is the present day Andhra Pradesh. This temple was built in the honor of King Narasimha II. The idol of Lord Ganesha here holds a noosh in one hand, a modak in another, his broken tusk in the third and an axe in the fourth. It is said that once Ganesha ate so much that his belly was about to burst and so he took a snake and tied it round his belly as a belt. Even in this temple there is a snake carved on the belly of Lord Ganesha according to this story. This temple is on the southern foothills of the Hemakuta Hill and is almost in ruins.



Achyutha Raya Temple :

Image result for achyutaraya temple
The Achyuta Raya Temple is in Hampi. It was built in 1534 AD. It is one of the major, splendid and awe-inspiring temples of Hampi located between the Matanga hills and Gandhamadana. This magnificent temple depicts Vijayanagara architecture style of temples in its best and most improved form. This was among the last dazzling temples that were constructed in the celebrated city of Hampi prior to the decline of the Vijayanagara Empire



Vittala Temple:


Image result for vittala temple hampiVittala Temple was originally built during the 15th century and later embellished further by several kings over the years. A town by the name Vittalapura existed around the temple and its remains can be seen to this present day.

 
The highlight of Vittala Temple is its pillars and stone chariot. The halls are carved with an impressive and fascinating array of sculptures etched on to the magnificent pillars. The stone chariot stands as an iconic replica of Hampi.



Jain monuments:


Ganagitti Jain temple
Reliefs of Jain temples are present in this area that includes Hemkut Jain temples, Ratnantraykut, Parsvanath Charan and Ganagitti Jain temples. Most of the idols are now missing from these temples. Ruins suggest that these temples belong to 14th century.  


Ganagitti temple complex

The Ganigitti Jain temple is near Bhima's gate, in the southeast part of the urban core section of Hampi. In front, it has a monolithic lamp pillar. The temple faced north-facing temple. It is dated to 1385 CE, built during the rule of Hindu king Harihara II, based on an inscription found within the temple. It is dedicated to Tirthankara Kunthunatha. The temple features plain walls, a pillared mandapa, a square sanctum where the Jina's statue is missing. The capitals on the pillars and the doorways have decoration. Over the sanctum is a Dravidian-style narrowing square pyramidal tower. Other monuments in the temple compound are in ruins.

Other Jain temples and monuments[edit]
A cluster of Jain and Hindu temples are co-located about 150 meters east of the Elephant stables. One north facing temple is dedicated to Parshvanatha Tirthankara. It was built by king Devaraya II and dated to 1426 CE, per an inscription in the temple. In front of the temple are two ruined temples together, one of Shiva and other dedicated to the Mahavira.Jain Tirthankaras are also included in reliefs found inside Hindu temples.

Muslim monuments:


Ahmad Khan tomb in Hampi
The Hampi site includes a Muslim quarter, with Islamic tombs, two mosques and a cemetry. These are neither in the sacred center nor in the royal center of the Hampi site. Some Muslim monuments are a part of the urban core while others are in the suburbs where most Vijayanagara residents lived. These are found in the northeast valley of urban core, where settlements of Hindus and Jains are also found. Much of this region is deeply silted and soil has buried temples, roads, water tanks, gateways and residential quarters that were abandoned.     

Ahmad Khan mosque and tomb[edit]
There is a Muslim monument in the southeastern part of the urban core on the road from Kamalapura to Anegondi, before Turuttu canal in the irrigated valley. This monument was first built in 1439 by Ahmad Khan, a Muslim officer in the army of Hindu king Devaraya II. The monuments include a mosque, an octagonal well and a tomb. The mosque lacks a dome and is a pillared pavilion, while the tomb has a dome and arches.Other Muslim monuments and a graveyard were added later near the Ahmad Khan's legacy.


There are so many other places in hampi..

WORDS ARE NOT ENOUGH TO EXPRESS  THE BEAUTY OF HAMPI,,,

TAKE A TRIP @
 
 HAMPI .....HAVE A NICE JOURNY...




Thursday, 9 March 2017

KARNATAKA TOURIST PLACES,CHANNAKESHWARA TEMPLE

          Channakeshava Temple              

Channakeshava temple located @ Belur of  Hasan District,Karnataka.It Was built by the Hoysala King Visnuvardhana on the banks of the river yagachi.It is originally called by the name ''Vijayanarayana temple''  when the Hoysala Empire was the major power in South India.  It is 40 km from Hassan city and 220 km from Bangalore. Chennakesava (lit, "handsome Kesava") is a form of the Hindu god Vishnu. Belur is well known for its marvelous temples built during the rule of the Hoysala dynasty, making it and nearby Halebidu favored tourist destinations in Karnataka state. These temple complexes have been proposed to be listed under UNESCO World Heritage Sites.

History of temple



The temple was commissioned by King Vishnuvardhana in 1117 AD. Scholars are divided about the reasons for the construction of the temple. The military successes of Vishnuvardhana is considered a probable reason. Some scholars believe Vishnuvardhana commissioned the temple to surpass his overlord, King Vikramaditya VI of the Western Chalukya Empire (who ruled from Basavakalyan), after his initial military victories against the Chalukyas. According to another theory, Vishnuvardhana was celebrating his famous victory against the Chola dynasty of Tamil country in the battle of Talakad (1116 AD), which resulted in the annexation of Gangavadi (modern southern Karnataka) by the Hoysalas.Another theory points to Vishnuvardhana's conversion from Jainism to Vaishnavism (a sect of Hinduism) after coming under the influence of saint Ramanujacharya, considering this is a predominantly Vaishnava temple in sculptural iconography. The Hoysalas employed many noted architects and artisans who developed a new architectural tradition, which art critic Adam Hardy called the Karnata Dravida tradition.In all 118 inscriptions have been recovered from the temple complex, covering the period 1117 AD to the 18th century, giving historians details of the artists employed, grants made to the temple and renovations .
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Architecture and Sculptures

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Architecture


The ornate gopurams in the Chennakesava temple are attractive. The sacrosanct platform of the temple has a golden horse along with the temple chariot. Lord Vishnu’s carrying the Garuda is at the entrance and faces the temple.

The temple structure has exclusive filigree gleams which shine like metal. The sculptures are well proportioned. Soapstone which is light greenish in colour has been used to create the Chennakesava temple. Smaller temples of Ranmaganayaki and Soumyanaki, the beloved of Lord Chennakesava lie within the temple premises. One gets to see temples of Anjaneya and Narasimha from here. The senior queen of King Vishnuvardhana, Shantaladevi who was a dance legend, built the Channigaraya temple.

The exterior of the temple is intricately carved. Mythological stories as well as stories from the Upanishads and Puranas are depicted here. Beadwork carvings can also be found in the temple art and architecture. Every piece of art work has been depicted very carefully and with skilled craftsmanship. The celestial nymphs or Madanikas are the other highlights of the temple’s beautiful art and architecture. The Madanikas are an epitome of the feminine form of Queen Shitladevi. The varied moods of the Madanikas are clearly depicted in the architecture.

sculptures


Image of the Hindu god Krishna playing a flute in a sanctum of the Chennakesava temple, Somanathapura
The ceiling of the mantapa (hall) is supported by lathe turned pillars, a standard feature in Hoysala constructions. Between pillars, the ceiling is domical and intricately decorated. These decorations could include multi-petalled lotuses, banana bud motifs based on stepped ponds and snake like (ananta) knots (symbolising eternity). Of the three shrines, one shrine has the image of the god Keshava, but the image is missing from the sanctum. The other two shrines house images of Janardhana and Venugopala (all three images are forms of the Hindu god Vishnu). This is strictly a Vaishnava temple and there are no depictions of any forms of the Hindu god Shiva. Other sculptures include of depictions of affluence of that age including members of the royal family riding richly decorated chariots, soldiers and commoners riding horses, camel drawn vehicles, dancers, musicians, hunters armed with bows and arrows and accompanied by their dogs, all heading for a hunt. There are sculptures of royal palaces protected by armed guards, intricate carvings of jewellery, such as pendants, necklaces, waistbands and rings and of woman sporting hair styles that were in vogue. The names of many architects and sculptors are etched on stone from which it is evident that the artists were both local and from outside the region. Famous among them are the locals such as Ruvari Mallithamma, Masanithamma, Chameya, Rameya, Chaudeya and Nanjeya while Pallavachari and Cholavachari are prominent artists from Tamil country.


The sculptures of Darpana Sundari, The Bhasma Mohini and the Huntress are some of the favourites. The royal dynasty’s emblem is the hallmark of the temple which is the major attraction on entering the temple and this is visible in every Hoysala temples. The chief deity, Kesava and Lord Krishna are worshipped here. The six foot tall, beautiful image of Lord Krishna installed at the sanctum looks marvellous


Plan

The monument consists of a shrine, an open hall and a platform. The shrineBelur3.jpg (59877 bytes) (vimana, mulaprasada) is larger than usual, its pedestal measures about 10 by 10 meters while a more usual size is 5 by 5 meters. Its architectural style is Nãgara (North Indian) but this is rather difficult to see because its tower is lost. The hall (mandapa) is of the open type, originally it only had a parapet. Later on the space between parapet and roof has been closed-off with magnificent screens, together with the further embellishment of the temple. The platform (jagati) is an essential part of the over-all design of the monument. It forms a unity with the rest of the elevation because it carefully follows the outlines of the shrine and the hall. Its three flights of steps add dignity to the entrances of the hall and it provides a walkway around the shrine (pradakshinapatha). Circumambulation of the shrine is an important form of worship.


Pillers and Sculptures

Sculpture of the Hoysala emblem in the Chennakeshava temple at Belur
The pillars inside the hall are an attraction and the most popular one is the Narasimha pillar which at one time could have revolved on its ball bearings. According to the historian Kamath, there is a rich diversity about the pillar styles here. While all the forty eight pillars are unique and the many ceiling sections are well decorated, nothing surpasses the finish of the four central pillars and the ceiling they support. These pillars may have been hand chiseled while the others were lathe turned.All of these four pillars bear madanikas (Salabhanjika–celestial damsels). There are 42 of them in the temple complex, one each on the four central pillars inside the hall and the remaining 38 are outside, between the eaves on the outer walls of the hall.They are also called shilabalika and represent the ideal female form. They are depicted in various forms, such as dancers, musicians and drummers, and are rarely erotic in nature. Some madanikas that usually are popular with tourists are the Darpana Sundari (lit,"beauty with mirror"), "The lady with the parrot", "The huntress" and Bhasma mohini. Other interesting sculptures inside the mantapa are Sthamba buttalika (pillar with an image in frieze) which is more in the Chola style indicating that the Hoysalas may have employed Chola craftsman along with locals. These images have less decor than regular Hoysala sculptures, the mohini pillar being an example.


Ornate lathe turned pillars in mantapa, a standard Hoysala idiom
At the base of the outer walls are friezes of charging elephants (six hundred and fifty of them) which symbolize stability and strength, above which are lions which symbolize courage, and further up are horses which symbolize speed. Above the horses are panels with floral designs signifying beauty above which are sculptures with depictions from the Hindu epics, the Ramayana and the Mahabharata. According to Kamath, this style of articulation is called horizontal treatment with friezes. Hoysala artisans preferred to be discreet about eroticism, mingling miniature erotic sculptures in not so conspicuous places such as recesses and niches. Sculptures depict daily life in a broad sense.


Gajasurasamhara: A frieze depicting the god Shiva slaying Gajasura the demon in the Chennakeshava temple at Belur
The doorways to the mantapa have on both sides an image of "Sala" slaying a lion.[25] Historian Kamath claims this is a tiger. Though Sala is known to be the founder of the Hoysala empire in popular legend, there is no support for this theory from scholars such as D.M. Durrett, B.R. Joshi and Hayavadhana Rao. Normally this image is placed on the sukanasi (tower over the vestibule) adjoining the main tower. Legend has it that Sala killed the lion (or tiger) which was about to pounce on a meditating saint who sought Sala's help. Some historians speculate that the legend may have gained importance after King Vishnuvardhana's victory over the Chola dynasty in the battle of Talakad, the tiger being the royal emblem of the Cholas.[26][27]


Other important sculptures here are the Narasimha (a form of Vishnu) image in the south western corner, Gajasurasamhara (Hindu god Shiva slaying demon in form of elephant) on the western side, the winged Garuda, a consort of the god Vishnu standing facing the temple, dancing Kali (a form of Durga), a seated Ganesha (son of Shiva), a boy with an umbrella and a king (the Vamana Avatar or incarnation of Vishnu), Ravana shaking Mount Kailash, Durga slaying demon Mahishasura, standing Brahma, Varaha (avatar of Vishnu), Shiva dancing on demon (Andhakasura), Bhairava (avatar of Shiva), Pandava prince Arjuna shooting a fish seeing its reflection, and the Sun god Surya. The sculptural style of the wall images bear similarities with wall sculptures in contemporary temples of northern Karnataka and adjacent Maharashtra.


Photoshop

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Way to reach belur

Banglore-Hasan-Belur [Road Way]

Benglore-Mysore-Hasan-Belur[roadway & Railway]